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A tail light strip looks like a simple cosmetic part until you hold one up to a light. Then it is a lens, a light guide and a trim piece at the same time: the wall has to pass light evenly along the whole arc, the curve has to follow the deck of the mower, and the strip has to survive being hit by stones, branches and a pressure washer without cracking or clouding.
This page is about the part in the photos — a clear red PC strip with a compound curve, four mounting bosses on the back and two clip details at the ends. It comes out of a two-plate mold in one shot, and most of the engineering sits in three places: keeping the wall uniform around the curve, keeping the light path free of flow marks, and keeping the red the same from the first carton to the last.

Polycarbonate is the default resin for exterior lenses because it does three things at once: it transmits light, it takes an impact without shattering, and it holds its shape when the LED behind it heats the housing. On a mower the impact requirement is not theoretical — the strip sits at deck height, which is exactly where cut grass, gravel and the odd fence post arrive.
The colour is where the process gets difficult. A translucent red is not a paint layer; the shade is the resin itself, and the shade you see depends on how thick the wall is at that point. Where the strip thickens at a boss or a clip, the red reads darker; where the wall thins, it goes orange and the light comes through hotter. That is why the wall is designed to a single nominal thickness around the whole arc, and why the boss bases are thinned into the wall rather than added on top of it.
Two more things decide whether the batch matches the sample. The first is drying: PC absorbs moisture, and moisture in the melt turns into silver streaks that a clear part cannot hide, so the resin runs through a hopper dryer and the first shots of a shift are checked against a light. The second is colour dosing: masterbatch percentage, screw recovery and back pressure all move the shade, so the colour is fixed with a master batch, a locked process sheet and a retained sample under D65 light — not by eye at the machine.
The strip is not a simple arc. It sweeps along the rear of the deck, then turns down at one end, so the mold carries a curved cavity and a core that follows it. Wall thickness is held the same through the bend; where the section changes from the flat run into the downturn, the transition is radiused so the flow front does not stall and leave a hesitation mark right where the light is brightest.
The back face is busier than the front: four bosses for the fixing screws, clip hooks at the ends, and a shallow rib that stiffens the middle of the run. Ribs are kept to roughly half the wall thickness and are placed behind the mounting points rather than behind the middle of the light path, because a rib that is too heavy pulls a sink mark into the visible face and a sink mark in a clear red part is impossible to polish out. Bosses get draft and a fillet at the base for the same reason: the load at the screw has to spread into the wall without a thick section that shrinks late.

A clear part is judged by what it does with light, and that is decided before the steel is cut. The gate goes at one end, outside the lit zone, so the gate vestige and the flow marks that follow it sit where the LED never reaches. Filling is balanced so the flow front reaches both ends of the arc at the same time; if one end fills first, the last section to fill traps air and leaves a short or a dull patch.
Weld lines are the other optical defect. Where two flow fronts meet, the material is weaker and the surface scatters light, so the meeting point is pushed to the end of the strip behind the end clip. The cavity is polished in the direction of light travel rather than across it, and no texture is applied inside the lit area: a texture that hides flow marks on an opaque part turns a clear lens milky.
The result is checked the way a customer will see it — with the LED behind it, not on a white table. If the strip is meant to read as a continuous line of light, the check is for bright and dark bands along the arc; if it is only a reflector, the check is colour and gloss. Both are written into the inspection sheet before production starts, because “looks fine” is not a specification.

The mold is a single-cavity tool for this size of part, built in house. The cavity block carries the polished optical face; the core side carries the bosses and ribs, with slides for the clip details at the ends that cannot be stripped in the opening direction. Cooling follows the arc in both halves — a curved line of baffles in the core and a matching circuit in the cavity — because a clear part cools visibly: uneven cooling leaves a wave of orientation stress that shows up as a haze band under the light.
Ejection is on the bosses and the end faces, never on the optical wall. The polish grade on the lens face is specified on the drawing (SPI A-2 or better for a lit lens), and the tool is re-polished at service intervals rather than only when it scratches, because a polished face that has gone slightly dull is exactly what makes a clear part look yellow after a year outdoors.


Parts come out hot and are handled by the edges only, because a fresh PC lens marks if it is picked off the face while it is still soft. They are laid on a soft-lined tray to cool flat rather than tipped into a bin, and the first parts of each shift go to the bench for a light check before anything is packed.
Packing is where a good part usually gets damaged. Strips are separated from each other — tissue or a moulded tray — so the polished faces never rub in transit, and they ship in a carton that a customer can open at the assembly line without cutting into the parts. Where the customer assembles with a robot, the tray pitch is agreed in advance, not invented at the packing table.

Almost everything except the physics. The strip can be re-drawn to a different arc or length, the section can be thickened where the customer’s deck vibrates, the clip and boss layout can be moved to suit an existing housing, and the colour can be matched to a chip — clear, red, amber or a tinted smoke. Lens texture, if the customer wants a diffused look, is applied outside the critical light path or over the whole face with the diffusion agreed against a light sample.
What we will push back on is a strip designed with a heavy rib directly behind the light path, or a wall that changes thickness by more than about 20 percent along the arc. Both are moldable, and both will show — the first as a sink mark, the second as a colour band. It is cheaper to change the drawing than to re-polish a tool.
Kunshan Maifeng Precision Industry Co., Ltd. reviews the drawing and the optical requirement before quoting, builds the injection mold in house, and molds clear and coloured PC on 36 machines from 40 to 700 tons. Send us the 3D model of the strip with the LED position and the colour target, and we will come back with a feasibility comment, a tooling proposal and the inspection plan we would run on the first article.
Lucie — Kunshan Maifeng Precision Industry Co., Ltd.
📧 Email: Lucie-MF@mold-std.com | 📱 WeChat / WhatsApp: +86 17714886855
Custom Mold • Precision Injection Molding • Consistent Production. Send us the 3D model of the strip and the colour target, and we will come back with a tooling proposal.

Kunshan Maifeng Precision Industry Co., Ltd. (MIF) has an investment of RMB 35 million and an independent factory of more than 5,000 m². The company operates 36 single- and dual-color injection molding machines from 40 to 700 tons, together with more than 50 sets of mold manufacturing and processing equipment. Our service, management and production team includes over 100 people.
Our parent company was established in 2008. We provide product design, mold design and manufacturing, injection molding and product assembly services for custom plastic parts, supporting both domestic and international customers.
1. Product Design
Product structure design and optimization based on customer drawings and samples.
2. Mold Design
Mold design developed around product geometry, material and production requirements.
3. Mold Manufacturing
Machining, polishing, fitting and assembly for custom injection molds.
4. Injection Molding
Single- and dual-color injection molding for project and order requirements.
5. Product Assembly
Supporting assembly services for molded plastic components.



